Warner Brothers unveiled the logo for the longest title in superhero movie history, Batman vs Superman:Dawn of Justice. Naturally, the internet was all over it, bagging on the decisively long title, the terrible logo and the confusion about WHY justice needed to be dawning to begin with.
It looks like when you smash a bug with a sneaker that has a pretty snazzy design on the sole
While promoting X-Men Days of Future Past, Bryan Singer sounded off on why the varied success of the Fox version of the Marvelverse in comparison to the Disney Marvelverse:
It’s very different universes. The appeal is different and to try and do the same thing… this in an ‘inbetweequel’, OK, of two ensemble films, Avengers and the Marvel movies are individual franchises based on major characters that’s why there are some Marvel characters in Avengers that don’t have their own movie, because I don’t know if they had their own movie anyone would be that interested.
DC/Warner Brothers have the unenviable task of taking beloved superheroes and making them work as a team, without the padding time of being able to launch standalone series in the same way Marvel launched their properties. DC essentially left their bags of money on Bats and Supes doorstep and walked away quietly, banking on the logo recognition and ability to sell millions of branded merchandise, not focusing on building an experience or enhancing their films in the way that Marvel has built out their titles. DC’s TV properties, by the way, have successfully introduced Green Arrow to the masses following the micro Justice League run in the later seasons of Smallville; Arrow, the Smallville spinoff is launching The Flash this fall. Both of these characters as well as Wonder Woman, who is yet to successfully launch in any medium, are members of The Justice League but there is no word on whether they will appear in the film itself, Wonder Woman is confirmed but what she will actually do, if anything, remains to be seen. The DC/Warner Brothers team have to decided to take a group of people that are relatively unknown in the general movie going population and make them characters worth caring about while sharing the screen with Batman and Superman.
Sure, Marvel had standalone films before launching The Avengers but that has more to do with world building, telling a good story. It can be outlandish, seem like the strangest trip known to man but you CARE about where you’re going and that’s why movies are so good.
The Fast and Furious series may well be the finest piece of cinematic superhero storytelling we will see on screen.
The first movie, The Fast and The Furious centered around wildly attractive FBI Agent Brian O’Connor (Paul Walker) infiltrating the allegedly impossible to infiltrate illegal street racing in Los Angeles via local family lunk Dominic Torretto (Vin Diesel) and his band of import and muscle car driving goons. The movie is a candy coated tribute to the car porn dreams we all have while the characters have delight they are impossibly campy car movie with one liners, tight shirts, early 2000s rap-rock soundtrack and the emergence of the new action star in Vin Diesel.
2 Fast 2 Furious would follow, starring Walker and adding model/singer/fine smile owner Tyreese Gibson, the Mouf of The South rapper Ludacris and Eva Mendez to the cast as supporting characters in the growing sexy race car business. Set in Miami, the movie ups the stakes with drug trafficking, 80s level villains and a pretty intense chase sequence. These characters would serve to bolster the further the legacy of the Fast franchise, despite lacking Diesel in the lead role.
Fast & Furious: Tokyo Drift would take the franchise across the world to Japan with a completely new set of characters. If you watch this one, you’ll see where the superhero element starts to take shape. Sean leaves Alabama to live with his father, stationed in Japan to avoid a lengthy jail sentence after driving too fast and too furiously through his small town. While there, he meets another American transplant in Twinkie, played by rapper Bow Wow, who’s got a thing for Jordans and street racing. The duo connect with local drifter (driver) Han and they naturally master the racing. What’s interesting about this is that Han references a racer he met in the States, a racer he never names but another character meets at the end of Tokyo Drift that brings us back to the States with The Fast and Furious.
We return to Los Angeles, where it all began where Brian and Dom are trying to solve the mystery of what happened to Letty, Dom’s girlfriend. They bring it back to the core group and reintroduce characters that appeared in the previous films, building Dom and his crew with a wild concoction of characters that support the cause of…driving fast and furiously. The races are bigger, the fights more drawn out and the shirts tighter. The film was even billed as New Model, Original Parts. It reinvigorates a franchise after Tokyo Drift which felt a bit out of left field for some audiences, despite having a tighter storyline than the other movies. The cars are extensions of the characters, as easily identifiable as a Bat Signal, Superman’s S (correction, the symbol for Hope). You cringe when you watch them smash (these are seriously beautiful cars), when they appear just in the nick of time, you’re swept up in the emotion of the moment of these characters doing something insane.
By the time Fast 5 is released, you’re willing to accept every type of madness this series will throw at you and by the movie’s last act, you really do. This time around, Dom and his team are being hunted down by arguably the biggest superhero of all, Dwayne “The Rock” Johnson. They do not make shirts tight enough for this man. The team wind up in Rio de Janeiro, Brazil veritable Robin Hoods in a city run by a corrupt official with Johnson’s Hobbs hot on their heels. Without spoiling much, let’s just say, you will be hard pressed to find a better argument for American made muscle cars and their engine blocks than when you watch them literally break the bank.
Fast and Furious 6 kicks up the entire series into overdrive from the first frame, hammering you with visuals, racing, snappy comebacks and yes, tight shirts. Adding women’s UFC fighter Gina Carano to the mix as Hobbs’ new partner joining Dom’s team of international super racers, the cheesy plot includes amnesia, character retcon and this scene:
The series that started as a wink and nod to the old racer movies of the 50s spawned into a massive multi-million dollar blockbuster by following the same simple elements that we as an audience love to see in a good popcorn movie: characters we like in improbably scenarios, doing insane things because it’s the right thing to do. Luke Evans’ Owen Shaw is on his Bond-villian A game against Team Torretto, giving sleezeball realness in skinny jeans, rolling around in an Aston Martin because why not, this is London and everyone drives luxury cars and using every type of fancy new technology at his disposal. As the above sequence shows, there is nothing more breathtaking than seeing a casually roar down the highway and nary a fig given for reality. You as the viewer are so engrossed in how perfectly impossible the entire scenario is, you’re at the edge of your seat, jaw open and wondering how the hell are they going to get out of this mess.
Naturally the final act is fan service and again, forgoing spoilers, it is something you would expect from a superhero movie.
Death is defied, physics ignored and shirts are tight.
What makes the franchise work at its base is how likable each character introduced are, despite occasionally bad dialogue, they are personalities that you may know. They can provide a bit of reassurance in finding yourself as a person in the world, much in the same way a superhero can inspire you to strive for more. The series as a whole combines impossible elements with improbably scenarios and impractical uses for cars but in a bizarre way, it all works. It’s the same reason we believe that Hal Jordan’s Green Lantern ring combined with his imagination makes him the defender of Earth as part of the Lantern Corps. It’s the same reason that we believe that Tony Stark’s Iron Man is a valuable piece of machinery. It’s the reason why X-Men were formed, why The Avengers avenge and what the Justice League stands for. We want to know that a group of people with a goal can accomplish anything, whether it’s legal or illegal, in tight shirts with aliases and winning, even if we have to suspend our belief.
Gal Gadot, Giselle in the FF series, was cast as Wonder Woman in the aforementioned Superman/Batman movie. A former Isreali soldier turned model, the actress has tall boots to fill as Diana Prince aka Wonder Woman. With so many calling her physique and appearance into question, Gadot has the unique opportunity to cross from regular car hero to actual super hero. How much of her we’ll see is still up in the air, but the hope is that we’ll actually get to see something special. Vin Diesel is the voice of Groot in Marve’s upcoming Guardians of The Galaxy. It doesn’t get more gangsta superhero than a talking tree. If two actors from these films are already comic book movie canon, accepting the characters and plots to the FF series can’t be all that far fetched now can it?
The Fast movies argue that comic book movies have a lot to strive for. They have to find the heart and soul in one character that can understandably, comfortably and confidently bring together a group of misfits, crooks, rogues and smartasses to convincingly make the mission one worth doing. You have to care about what’s going on, who they are and the journey you’re willing to go on when it comes to spending hard earned money on any of these big budget movies this summer and every summer to come. They don’t necessarily have to wear spandex and have super powers but if they’re attractive and wearing tight shirts it’s all good.